Posts Tagged lions of puxi
The Year of the Lion @ Mao – Friday 29th Jan
Posted by gunsella in Uncategorized on February 1st, 2010

Friday night was a hugely successful party at Mao featuring the Lions of Puxi in the headlining slot with support provided by the lovely Break For Borneo and my semi-serious project, The Violent Phlegms. Break for Borneo sounded great – I want to hear them more often through sound systems of that caliber rather than through the tiny PAs at Kaiba or Urban. Their reggae grooves were loose and silky and everyone who caught their set was entranced and impressed.


My band, a mere Violent Femmes tribute band was very well received. The audience response was humbling, especially considering they’re all songs that I never wrote. (photo by Thomas Wayne)

And of course there were the Lions. F&ck me they’re tighter than a nun’s *&^%. Last week I mentioned that the only thing I could fault them on is being too good. Now I’d like to take that back. I can’t fault them on it – they are just excellent. They are not running along the leading edge of the avant-garde. They are not playing anything in funny time signatures or weird poly-tonal keys. They are just playing very damn solid, danceable reggae. They are providing a party atmosphere and they do it so well. Guathier and Gilbert provide an excellent twin attack from the centre of the stage and they are ably backed up by a team of thousands… ok, there were seven other people on stage besides them – it still looks pretty busy up there. (photos by Thomas Wayne)


Big thanks and pats on the back to Nate and Carl and their organising abilities to pull it off. The night was a big production and , Mao was busy with a guestimated more than 400 people through the door. If you missed the Lions this time round, then next time is a must. And if you missed the Phlegms, well, that might’ve been your last chance…
Lions, Borneo and my band + Saturday night shennanigans
Posted by gunsella in Uncategorized on January 25th, 2010

Here’s a big heads up – this Friday sees the unexpected return to the stage of Shanghai’s first and only Violent Femmes tribute show. Yeah – me, Dave and Fabi are reforming our one-off concept band to support the Lions of Puxi. Also on the bill are my good friends, Break for Borneo. As reported three stories below this, the only fault I can put on the Lions i that they are too good. If you like reggae and feel like a little dance, come down to Mao on Friday night. 570 Huaihai Xi Lu near Hongqiao Lu.

And if that’s not enough excitement for you, Saturday night at Logo will be the crazy TrashAGogo, presented by Toshi, formerly of The Snots and The Dropkicks and currently of the Beat Bandits. Appearing at TrashAGogo will be the aforementioned Bandits as well as your good friend and mine, DJ Danny Rogue, and a long awaited reappearance of The Dudettes featuring me on the guitar. The Dudettes will deliver another seething dose of topical in drag. Now I just need to work out a way to get to the Boys Climbing Ropes EP launch at YYT and still not be late for Logo.
Friday’s Feline Frenzy
Posted by gunsella in Uncategorized on December 7th, 2009

saturday night was a french infested feline frolic featuring the lions of puxi cd launch at the dream factory and papier tigre at logo. i attended and enjoyed both. the lions are the embodiment of perfection and their reggae grooves are fantastic. papier tigre, with their no-bass-two-guitars-and-crazy-drummer line up, were somewhat more challenging and totally amazing. dan did a great interview with them last week, though he (pierre, the drummer) neglected to answer one of the most pertinent questions there – “How do you fill in the sonic range to keep the songs heavy?” A lot of arthur de la grandiere’s playing sounds like distorted bass guitar. how does he do it?
Hypothesis 1
- one of the guitarists is using an octave pedal to make the guitar sound like a bass.
not the case as eric pasquereau (guitar, vocals) had only one pedal at his feet – a tuner. and arthur (guitar, snare drum) had just a tuner and a proco RAT. also, arthur’s playing was very chordal at times and octave pedals can’t handle more than one note at a time.
Hypothesis 2
- one or both of them uses a really low tuning or possibly tunes one or two strings down really low
when i asked arthur what tuning he was using he replied “drop D”. this means tuning the lowest string down just one tone from an E to a D. i was expecting something extreme like B E A D F# B. i saw changing some tunings between songs, so perhaps his answer of “drop D” was just a quick answer to a more complex question.
Hypothesis 3
- arthur uses a combination of the RAT and the settings on his amp to make things as deep as possible and creates some kind of audio illusion.
this is entirely possible and quite impressive.
The other mystery of the night is what guitar was eric playing? first correct answer wins the adoration of all your friends, as well as all the dvds i’ve watched in the last few weeks (funny people, the taking of pelham 123, moon and many more). here’s eric in beijing:
and here’s a close-up taken after the show at logo:

what are the people saying?